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Lists that delve into the cacophonous spectrums tackle genres already fuelled by vociferous convictions, and commentary boxes soon fill with the mutilated remains of writers’ opinions.
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Everyone’s entitled to his or her opinion of course, even if it comes wrapped in a torrent of feculent abuse. Collective and individual lists carry all the biased passion of authors and editors, and understandably, opinions about their validity are hurled about. Obviously, not everyone is bursting with climactic joie de vivre during list season. Personally, their appearance fills me with a rapturous fervor - but then, I can get fairly orgasmic about a well-ordered shopping list, too. Such lists are a grand opportunity to unearth new sounds. I know that isolating the influence of geographical location to human behaviour can not sound very adequate as an analysis of what happened within the norwegian BM scene, but I think that "viewing through a window" may sometimes determine who we are most deeply than we usually think.Every December, young and old gather excitedly for the annual end of year list season, becoming intoxicated with joy or apoplectic with anger as they gaze upon the chosen fare. The label for me is the "grim" scene.įuelled by hate, over-comfidence to his personal "truth" and misanthropic blindness, which type of scenester is more prone to antisocial behaviour, if other socioeconimic factors permit? Relationships develop slowly over there it usually takes a lot more energy, than a brazilian or a greek is used to in his homeland. Social norms are rather permissive/tolerant society where having emotional outbursts seems rather unappropriate. Less expressive body language than the southern countries. Usually, people stay large periods indoors and don't socialize that much (generally less than the southerns and they are used to spending more time "alone"). Snow-clad whiteness during winter, golden in the summer/autumn, dark-thick forests, strong daytime and night-time temperatures differences. Less "evil" but equally "dark" with an emphasis on the "heroic deed". So it was very natural for the local bands to abandon "Satan" as the central figure of their interest and dive into what I call epic hellenistic darkness: ancient myths with a strong element of mysical "catharsis". Generally populated by laid-back people thinking highly of themselves and their surroundings, in a country whose cultural heritage (and mythology) is aeons before christianity. Greek scene: A scene centered around very outgoing people at a typical mediterranean setting. I would label it as the "sensual" scene.Ģ. An excellent social environment for a "live and let live" attitude. Close contact ("calor humano") Tropical wet & dry climate for the largest part of the country, moderate rainfalls, quasi absence of snow, annual average temperature range 20−26 ☌.
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Another local characteristic is a slight tendency towards aversion of manual or methodical labor. A scene based on a multiple personal relations with a preference for the sensual and the exotic, typical attitudes among the locals. Brazilian scene (the older BM scene as we happen to know the genre): Ferocious christian-hate music by "happy" people (brasilians are thought to be among the happiest and most diverse people in the world). If you take a close look at the three major black metal scenes of the late 80s/early 90s under that prism, you can obtain useful conclusions (please do not take them as stereotypes but simply as behavioural patterns that will enable us to understand the collective subconscious of the black metal clan).ġ. I always believed (and it may not sound at all marxist) that geographical location is one of the main elements that influence human psyche.
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And the series of questions that mostly arise for me are: What type of black metal followers killed? What impulse made them kill? Under what conditions they might NOT murder? But black metallers killed and destroyed cultural heritage. You know, black metal is not the sole transcedental form of music, there are also other styles that transport you in "larger than life" worlds, beyond your everyday existence. red the document and it seemed to me as an atempt to create a theoretical concept of the genre in retrospect. Any views on the philosophical back-engineering of BM that the 'Black Metal Theory' folks have been attempting?